Polarity-MD

Dynamics Control

One plugin, full chain

Shape a full multiband chain from one window. Global Amount scales the overall processing depth while the stage layout keeps the workflow fast.

Up/Down Compression

Lift quiet parts, tame peaks

Each stage can push upward and downward dynamics at the same time. Global Down and Global Up macros let you rebalance the whole processor without rebuilding every band.

Native Analyzer

See the split before you hear it

The native analyzer overlays input and output spectra, shows crossover positions directly on the graph, and lets you drag the split points in place.

Per-Stage Clipping

Clip where it matters

Pre, every crossover band, and Post all include clipping control. Use clip delta and stage meters to hear exactly what each clipper is removing.

Pre / Bands / Post

Six stages from input to output

The native editor is built around Pre, B1, B2, B3, B4, and Post cards, so you can shape tone before the split, work each band, and finish the bus in one pass.

LUFS Metering

Before and after loudness

Built-in input and output LUFS meters keep loudness visible while you work, so you can push the processor without guessing where the level moved.

Crossover Presets

Manual, named, or auto

Start with Mastering, Even Octaves, OTT, Broadcast, or Drum Buss, dial in your own splits, or let auto crossover analysis suggest a layout.

Crossover Slopes

12 / 24 / 48 dB options

Choose how steep the split should be. The slope controls and analyzer guides make it easy to hear and see how aggressive the crossover network gets.

Linear Phase

Cleaner parallel behavior

Switch between minimum-phase and linear-phase crossover behavior when the mix calls for tighter parallel routing or a different crossover feel.

Oversampling

Drive it harder, cleaner

Enable oversampling when you want smoother clipping and a cleaner top end while pushing the stages harder.

Normalize

Quick stage balancing

The native normalize workflow helps pull stage peaks into a tighter operating range so you can start from a cleaner baseline before fine-tuning.

Match Level

Fair A/B comparisons

Use Match to bring processed and unprocessed loudness closer together, so you can judge tone and dynamics without loudness bias getting in the way.

Solo + Clip Delta

Hear what each stage does

Solo bands to inspect problem areas and flip clip delta on the active stage to hear only the material being removed.

Pro Mode

Extra depth without extra clutter

Toggle Pro to expand the stage cards and reveal the second control row for clip, attack, and release when you want finer shaping.

Global Macros

Move the whole processor at once

Amount, Global Gain, Global Down, Global Up, Global Clip, and Time Scale make broad changes fast without losing the per-stage setup underneath.

Pre-FX

Global input gain feeds the processor before the crossover. The Pre stage adds broadband up/down dynamics and clipping before anything splits.

4 Bands

Four crossover bands with per-band input, up/down thresholds, ratios, timing, and clip control. Manual, preset, and auto layouts all route through the analyzer.

Post-FX

Finish with Post dynamics, output gain, match, and final clipping so the processed signal leaves the plugin under control.